Episode Fifty-Three - Call Me Horse

Film scholar (as well as one of my film professors at IU) James Naremore joins the pod to talk Orson Welles and Shakespeare. We discuss the Criterion Chimes at Midnight, for which Jim did the commentary.  We talk about its creation, Welles' love of Falstaff and various aspects of the movie's production. We then talk about the new DVD/Blu-Ray release of Welles' Macbeth, the different versions of the film and which is vastly superior. We also mention the famous "Voodoo Macbeth" put on by Welles in Harlem in 1046 (see youtube clip below). We also talk about Welles' Othello and the unfinished Merchant of Venice and how some pieces of the film are now available. We conclude with talking about the contrasts of film stock vs digital in film schools and in film preservation. 

Most of Jim's books, including a new edition of The Magic World of Orson Welles, are still in print, as well as the Criterion edition Chimes of Midnight and Olive Films edition Macbeth are available from Amazon, Barnes and Noble or your local print/video store. 

Episode Thirty-Six - Wing Attack Plan R

He can fly, but he's no Sparrow. Jonathan Pryce in Terry Gilliam's Brazil.

He can fly, but he's no Sparrow. Jonathan Pryce in Terry Gilliam's Brazil.

It's our love letter to the Criterion Collection (@criterion) in all its greatness. We're joined by film critic, comics writer and podcast Will Pfeifer (@willpfeifer) to discuss our favorite Criterions (some you may not even remember) and the just-released Criterion edition of Stanley Kubrick's Dr. Strangelove (spine number 821, for you collectors). We also talk about some of Will's comics work, including Finals with Jill Thompson (@thejillthompson) and H.E.R.O, with Kano (@kano_es). We also discuss Will's movie podcast Out of Theaters (@outoftheaters) that he does with Billy Kulpa (@billykulpa) and Kevin Haas (@kevinmhaas). Will has news about Out of Theaters' future, so stick around to the end of the podcast for that. 

If you thought Dean Wormer was bad. From Finals 1 (c) Will Pfeifer and Jill Thompson

If you thought Dean Wormer was bad. From Finals 1 (c) Will Pfeifer and Jill Thompson